Showreels

• DOKA Height - Wild Things Creative

  Working for Wild Things Creative I animated the gecko character for this spot. Client: Pixelworks Director/Animation Supervisor: Alister Ferguson. Modelling & Surfacing: Josh Lynson. Rigging: Craig Baxter.

• Shots Reel - Bird Animation - Return to Nims Island

  Final shots of Arbie the Rainbow Lorikeet that I worked on. I animated Arbie (hero bird) in all shots shown as well as some secondary birds for various flock shots. Also animated a "Queen Bee" shot and some 3D rotoscoping for particle animations. Client: Walden Media Director: Brendan Maher Animation Supervisor: Manolo Mantero VFX Supervisor: Doron Man Rigging: Wei HE

• Time Tremors - Trex Sequence Shots

  Working for 'The People's Republic of Animation' to create the Trex animation (only) for the sequences shown.

• Harry Potter - Chamber of Secrets Game Promo

  These are my shots from the Harry Potter and the Chamber of Secrets video game promo that was created at Passion Pictures whilst I was working there. (C) Passion Pictures

• Showreel

  Compilation of my shots from various animated projects over many years. *WARNING* - Animated nudity

• Gorillaz 19200 - Geoff Suttor shots compile

  This compile is from the Gorillaz 19-2000 music video in which I animated all or the majority of 3d characters and/or elements in the shots shown. It is not the full video and shots are arranged differently to the original due to it being a shots reel. (C) Passion Pictures

• Felix - Purrfection

  The direction for this commercial was to retain the black & white style and feel of the previous Felix cat food commercials over the years but within a new 3D look. I modeled, textured, animated and lit all the 3D elements, whilst the 2D animators matched the camera moves and animated Felix. (C) Passion Pictures

• Gorillaz - RockDaHouse - Geoff Suttor shots compile

  This compile is from the Gorillaz Rock'Da'House music video in which I animated a majority of characters and 3d elements in the shots shown. It is not the full video and shots are arranged differently to the original due to it being a shots reel. (C) Passion Pictures

• Robbie Williams - Let Love Be Your Energy (animation reel shots)

  These are most of the shots that I animated for this Robbie Williams music video at Passion Pictures. It is not the full video and shots are arranged differently to the original due to it being a shots reel. I'm sure you can find the whole song if you search. It's out there, rude bits and all. ;-) *WARNING* - Animated nudity (C) Passion Pictures

• Robbie Williams - Drunken Robbie Outtake

  After finishing up on the "Let Love Be Your Energy" animated music video we had some creative freedom and time to animate various outtake recordings as we saw fit. This is my favorite one. (C) Passion Pictures

• Gorillaz - Brits Awards 2002 - Geoff Suttor shots compile

  This compile is from the Gorillaz live performance for the Brits music award night 2002, in which I animated the Murdoc character in all the shots shown. The characters were presented on large vertical screens on stage with live performers and fake 'live' camera action on the big screen in the background synced to match. (C) Passion Pictures

• Virtual Reality Training Simulation - Underground Scenarios

  Character and mechanical animations for 3rd generation stereoscopic virtual reality training software developed by QinetiQ Technology Solutions Australia for Coal Services 360 degree VR Training facilities. (C) Coal Services Pty Ltd

• Herseys Bites - WIP characters and final TVC (Lo-Res)

  This is a compile of the background characters I animated for the 'Hershey Bites' TVC whilst working at Passion Pictures. I only had a lo-res preview render of the final TVC on archive, which is shown at the end. (C) Passion Pictures

• Hoota Snoz - Interstitials *NO SOUND*

  This compile of shots are from the 1min TV interstitial series for 'Hoota and Snoz", created whilst working at cartoon company Blue Rocket Productions. The schedule required each animator to output a 1min episode every week including all the characters, props and effects involved. The results varied as there was only one chance of getting it right! These shots are my favourites. (c) Blue Rocket Productions